Lil Peep, Johnny Cash and The Man Who Would Be Jimmy Page – Rolling Stone

Most film festivals will dot their documentary lineups with the occasional music-focused title or two; SXSW has an entire sidebar devoted to them. It makes perfect sense that, having sprung from the Austin-based event’s origins as a showcase for bands and the chance for college-radio D.J.s and rock journalists to drink a brewery’s worth of beer, the cinematic arm of South by Southwest would have added a “24 Beats Per Second” program early on in its existence. And while we’re certainly biased — see: the publication you’re currently reading — this peripheral collection of musician portraits, scene surveys, posthumous tributes to fallen artists and looks at all things rock/pop/jazz/hip-hop/etc.-adjacent has slowly…

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